Put on a song you like and ask yourself these questions. As we’ll see, there’s a lot more to learn than most ear training apps are designed to test us on. We’ll look into three super useful skills that training your ears helps you develop. In this article, I want to give you a clear picture of how exactly ear training will make you a better musician. And even though I did many of the ear training exercises, I was never really sure what goal I was working towards. But why exactly is ear training important? For years, I couldn’t really answer this question. Whether it’s from friends, band mates, teachers or world-class guitarists. If you would like to watch more free tutorials you can sign up for free at pureMix or browse the entire pureMix tutorial video library and choose the individual videos that appeal to you.You’ve no doubt heard it plenty of times: ear training is really important. Sign up to get advanced audio tutorials where Grammy-winning engineers teach you mixing concepts by showing you their techniques and tricks while mixing song by Pharrell, Imagine Dragons, Ziggy Marley and more. ![]() This video tutorial is available to Pro PureMix members and can be accessed by signing up to a PureMix subscription for as little as $25 a month. How Do I Watch Tony Maserati Mixing Lifeboats? ![]() Mixes the song in sections to flush out his ideasĭials in the lead vocal sound early in the process Listens to the song for the first time to gather ideas Sets up the session with his template and workflow In part 1 of this addition to the Lifeboats series, Award Winning Engineer, Tony Maserati, opens the multitrack for the Will Knox song, "Lifeboats", and takes us all the way from hearing the song for the first time, to a completed powerful and energetic mix with his signature sound imprinted upon it.ĭiscusses his process starting with his vision of the song. head over to the PureMix Blog where you can find out more and test yourself against audio examples. Of course this is very apparent with microphones but this also applies to the influence of preamps, compressors and the rest. “It takes practice and a lot of repetition,” he says. He stresses that each of those mics has its recognisable sound and that it’s essential for an engineer to know the difference. To demonstrate the kind of ear training he’s talking about, Tony plays three different tracks that were captured when recording the arpeggiated intro guitar on “Lifeboats.” On one, the amp was mic’ed with a Shure SM57, another with a Royer R-121 ribbon mic, and the third was a DI track. This takes practice but is a key difference between an experienced engineer and the rest - while others experiment and try options, these veterans know the sounds they have got in the past and have a good idea what a particular combination of gear will do with a new source. ![]() For those of us focused on more technical aspects of audio exercises involving identifying EQ moves and frequencies but in this free excerpt from Tony Maserati Mixing Lifeboats Episode 1, Tony talks about the importance of a different kind of ear training: learning the sonic signatures of the gear and software in your studio. When people talk about ear training they usually mean identifying musical pitches and intervals.
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